Paperback, 456 pages

Español language

Published Dec. 27, 2021 by Minotauro.

ISBN:
9788445010020

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4 stars (7 reviews)

Shevek, un físico brillante, originario de Anarres, un planeta aislado y «anarquista», decide emprender un insólito viaje al planeta madre Urras, en el que impera un extraño sistema llamado el «propietariado». Shevek cree por encima de todo que los muros del odio, la desconfianza y las ideologías, que separan su planeta del resto del universo civilizado, deben ser derribados.

En este contexto la autora explora algunos de los problemas de nuestro tiempo: la posición de la mujer en la estructura social, la complejidad de las relaciones humanas, los méritos y las promesas de las ideologías, las perspectivas del idealismo político en el mundo actual.

41 editions

Enjoyable and thought provoking

5 stars

I'm have only read this once before and remember thinking it was heavy which - while not putting me off re-reading - meant it never floated to prominence on my to-read list. This time I found it, not "lighter" per se, but something, certainly. Overall, it meant that I really enjoyed it in ways I wasn't expecting.

Structurally, I liked the interweaving twin timelines (in a book about the physics of simultaneity and the past, present and future being present together was a nice touch). And this theme was interesting to see having just read The River Has Roots and its riddles relying on the acceptance of a past, present and future.

But so much to think on freedom.

A political thought experiment

3 stars

The cover blurb for The Dispossessed makes it sound like a thrilling exciting narrative, filled with tension and action:

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life—Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.

But that's not what it is, and it's certainly not Le Guin's focus. This is clear in the way she avoids what might be the more dramatic elements of the story, or distances us from them in how they are portrayed. The story is bookended by two examples of that. The opening …

avatar for maxi@wyrms.de

rated it

5 stars